Archive for the ‘Thoughts’ Category
And all best for 2011! Blog will be back next week….
More, as they say, tk….
A couple of indispensable blogs were posted this week. First, John Loengard’s guest blog on Scott Kelby’s Photoshop Insider.
This I would suggest as a must read for photographers and picture editors alike. Tremendous economic pressures over time have fractured and adversely affected the historic and important relationship good picture editors have with the photographers they employ. This post, and John’s well reasoned and direct advocacy for the role of the photog in the world of publications, is very well taken.
The other is up on Strobist.
Greg Heisler burst onto the magazine scene around 1980 or so, and single handedly changed magazine photography. I am not overstating the case. His singular sense of light and color impacted so thoroughly that just about every picture editor out there was lining their magazine up for pictures that looked like Greg’s. He had lots of imitators (myself included) who devoured his stuff, looking at catch lights to see where he put what kind of flashes, and wondering what gel pack had produced the vibrant color palette that attended his pix. I could stand at magazine rack and look at a display of a couple hundred mags, and pick out a Heisler cover.
I have worked with Rudy, and can thoroughly corroborate what Greg breezily refers to as the “moment of truth,” on this shoot. This cover was done of Rudy at his personal zenith, and when a public figure is at such a point, their handlers are like a very effective offensive line in football, blocking all charges. The behind the scenes negotiating just to get Rudy to top of the Rock must have been intense. Then, of course, once he gets there, is gonna go up on the edge of the roof? Rudy’s actually pretty cool about that stuff once you get him to the location. Pretty down to earth, or edge of the building type of guy.
The planning of the light is very cool to listen in on. So is the lesson that could be easily glossed over. Research. A week of going to the location at the exact time of day to determine the look and feel of the light. This was an intense collaboration between an extremely talented photog, a picture editor who did and said all the right things to get the subject on board, and a magazine willing to go the extra mile to get something done right. This was the correct mix of craft, obsession, funding and preparation.
This photo is memorable, and memorable isn’t easy. You generally don’t get memorable from a $50 stock pickup. Rudy was an icon at that moment in time, and thus demanded an appropriately iconic photographer. That combination is the reason we are still looking at this picture.
Working in Europe, under a giant umbrella of volcanic ash. No fly time now. Just as well. I’d rather drive just about anywhere than fly. Except home, of course. Gotta fly home, and pretty soon, so hoping for a wind shift, or maybe one of those movie special effects deals where all of sudden the volcano goes into reverse gear and sucks back down what it just threw up.
Working with Nikon Europe and a bunch of Annie’s extraordinary colleagues over here. What started small in Copenhagen 4 years ago has become a barnstorming tour, with stops in a various cities across Europe, particularly, this year, in Germany. Yasuo Baba, the manager of NPS Germany, and a complete, total force of nature, has put together a terrific itinerary that has us in Switzerland, Austria, Slovenia, as well as 6 stops in Germany. Somehow, through his efforts, every place we show up, there’s ballerinas and body builders.
Just crossed into Austria. Gonna be a while before we hit Ljubljana. Darkness closing in. Domen and Rene up front sharing the driving. Young guys, they are, somewhat oddly, into 80′s music. Dire Straits through the speakers. Annie eating gummi bears.
People across the board have been wonderful at the various stops. Meeting photogs from the commercial world, newspaper guys, wedding shooters, you name it. Playing with light and shooting stuff. Talking gear, the language we all understand.
Years ago, my first foray out of the US sent me to England. I was a student, and my photography professor, Fred Demarest, urged me to come over and mix chemistry for the Syracuse London photo program. I got 9 free graduate credits, and 5 pounds a week.
I jumped on it. Got myself a cold water flat with a shower down the hall in Parsons Green, south of the Thames, for six pounds fifty a week. Ran the lab, shot stuff at Speakers’ Corner, looked at lots of pictures. Went to the London Royal Photographic Society, where they had a show of Gene Smith’s work. Went back six or seven times.
Ate at the original, and at that time, the only, Hard Rock Café. Played basketball for a semi-pro team called London Amber. Had a blast. Starting five was a crazy Ozzie, me, and some terrific English blokes, one of whom was a chauffeur during the day. For a road trip, he could stuff the whole team into his massive limo. Played some pretty basic gyms, lacking, uh, amenities. Jesus, that car stank after a game.
Went to sea. Wandered up to Lowestoft, the eastmost tip of England, and signed onto to a fishing trawler named the Boston Shackleton for a two week stint in the North Sea. In November. On board, they called me “Hank the Yank” and made fun of the fact I had to hang on to stand up. Couple of them piped down a bit after I climbed the mast, which most of the crew wouldn’t do. Fun up there, a seaborne roller coaster, complete with salt spray.
Nighttime on the the Dogger, as some fishermen liked to call the North Sea, is particularly, deeply black. The wheelhouse was like a cocoon. Outside the sea circled the boat like a powerful snake, waves coiling and uncoiling. Wind sharp as a thrown knife. Inside, the glow of instruments, and the smell of strong tea.
Thirty five years and nearly 60 countries later, still at sea. Still love staring at darkness, slipping by. Still love the uncertainty of photography. Still love the fact that it kicks my ass. Nowadays, love knowing that all those millions of pixels, hot wired for color and speed, are still blind without the eye of a shooter pointing them the right way. Still love that my imagination precludes the possibility that I will ever grow up.
Still love the passport stamps, and the fact that each one means a connection made, a culture observed. Lessons learned. People met. Bridges, however temporary and fragile, made. Never get tired of the sound of a shutter. Never tire of nights like these, especially now that I share them with Annie. Here in the dark, asleep now, listening to her breathe.
Ljubljana still couple hours away. It’s okay. They can drive slower if they want. More tk….
Hot Shoe Diaries was the number one reader’s pick for the arts and photography category on Amazon for 2009.
Pretty cool. I’ve gotten some wonderful feedback from folks who really enjoyed the book and I thank everyone for the kind words that have been sent my way. Very appreciative of the support, and thanks for letting Amazon know about it!
It’s been an interesting week. There was the good news about the book, and then Lynn, my studio manager for 18 years, was going back and forth with a major multi-national who had a check for us, but had the wrong address listed. It batted around the GPO in NYC for a bit, and was returned, so thankfully, they called and got it all adjusted properly and re-sent it. (As far as Lynn’s longevity with me is concerned, rest assured I am extremely appreciative. I just called Rome, and tried to put her name on the list for beatification as a saint. They asked, well, has she performed any miracles? I said, “Are you kidding me? We’re still in business!” The line went dead. Maybe I shoulda emailed?)
We anxiously awaited the check. This could be it! What a great week! First the Amazon rating, and now, a check! The one that puts us over the top! No more worries! Livin’ large. Next trip to LA, book me the Walter Iooss memorial suite at Shutters on the Beach!
It showed up, and frankly, it was disappointing.
Eighty two cents? Jeez. Undaunted, I went into a convenience store and walked up to the very nice lady at the counter and asked if there was anything in the store I could buy for .82 cents.
She looked at me hard, and didn’t even have to say, “Are ya stupid, or just plain crazy?”
I assured her I was not, and that I knew it was a little weird, but my budget limit was eighty two cents.
She tried to be helpful, but was having a hard time thinking of stuff. I suggested a box of Tic Tacs but no way. Tic Tacs are like, around $1.55 most places, except Kennedy Airport, where they are $17.26. The little boxes generally have 36 individual tic tacs, which makes them about 4.3 cents per, so I could have converted my check into 19 of those minty little guys, but they don’t sell them individually.
Newspaper? Not even close. Refrigerator magnet? I got the look again. I got outta the store, lest I discovered hassling the clerk early in the morning might lead me to discover eighty two cents could possibly purchase a big noise and a used shotgun shell.
But hey, things are okay. I just got notification from Delta that I’m in the million miler club. Million miles, just on Delta. Sheesh. Evidence, perhaps, of a life gone wrong? Dunno. But it worked out this morning. On a non-refundable coach class ticket, I got an upgrade to first! Way cool. I was thinking on it, you know, anticipating the delights of the first class cabin. Eggs Benedict? A Mimosa? Pigs in a blanket? A foot rub? An exclusive first ever in the air viewing of “This Is It”?
Breakfast. Oh, well. More tk….
Was in Vegas last week for PhotoShop World, and gave a quickie 40 minute demo for my buds at Bogen. Used the new Quadra, a 400 watt second little big man of a flash unit. Lotta fun. Just grabbed folks off the floor and made a few pix.
Lastolite makes this thing called a background hi-liter, which is basically an empty mattress pad you can stuff lights into. It gives you this incredible, lock solid, done deal white background. Uh, Joe, this photo is shot on black. Yep, turned around and used the wall of light it creates as a main. Gorgeous light for Rae, a terrific young shooter who is hopefully bound for FIT in NY this fall.
Then there was Rodney. He was in the crowd, mildly bemused by events, so I made him the event. Terrific face for a photo. He had a wonderful sense of merriment to his eyes, and at the same time could look like a professor I just turned my term paper in late to. This is shot with the Deep Octa, which, allows the light to marinate really nicely before screaming outta the box
And then of course, there was V.
V is the spark plug, the security detail and a one man tidal wave of enthusiasm who comes and puts his massive arms around PhotoShop World twice a year. I asked him to pose for me, and he was great. As I described him to the class, he’s like a block of granite with feet.
And then there’s Kathy Siler…….
I’m in so much trouble. At the closing ceremonies I announced a “Draft Kathy Siler” movement to get her in front of a camera. So why am I compounding my difficulties by mentioning this in my blog? I’m in enough hot water as it is. Could it be, that as photographers it is part of our mission to be a pain in the ass:-)?
Lessee….a colleague showed work at PSW he specifically described as all shot “without flash or reflectors.” The holy water of available light! No evil photons generated by the machines! He used the phrase, “God is my gaffer.” Okay! Who’s your grip? There’s a whole blog’s worth of material in that phrase, just not gonna go there right now.
Speaking of available light, had my midterm review on my current National Geographic story the other day. Virtually every frame was shot with available light. (I can walk! I can walk! Thank God almighty, I can walk!) Biggest compliment the editors can offer a shooter is to expand the page count of the story, and that’s what happened. Now I just gotta figure out how to shoot the next half of the darn thing.
Headed from PSW to PRW, the Paso Robles Workshops, run by my friend with the hair with a mind of its’ own, Syl Arena. Given the dense, rich, textured, complex and multi-layered cultural experience of Vegas, when I hit Paso I decided to stay shallow and photograph Robert for a class demo with a 50mm lens at f1.4. Been experimenting a lot lately with limited depth of field portraiture. Good look at the camera for Robert here. Shot with Ezybox Hot Shoe softbox on a Sylinator paint pole rig for up front, and then just a hard, warm gelled light in the background off the tin siding.
Speaking of turns of phrases, Del, one of my participants here at the Paso workshop had trouble with a scarf someone was wearing in a photo. He said during crit it was “surprisingly luminous.” Love it. I’ve run into stuff like that too, over time. We had a good laugh, and during the deal I uttered a couple of colorful metaphors, which just bubble outta me occasionally, a bit like farting in a pool. The class, thankfully, endorses such frivolity. Frank, a Continental pilot who shoots real well, and, I’m sure, is no stranger to the use of pungent commentary, commented that my language was “surprisingly luminous.”
Buddy of mine who is a terrific shooter and is currently assisting in NY just moved on from his regular gig and is now awash in the turbulent freelance seas of the Big Apple. He had just got to the point where the job was owning his life, and he wrote to me describing that and letting me know he’s out there ready for work. Describing how a job often goes, I wrote back….
“Ahh, yes, grasshopper….a job is just a job, until it becomes it becomes like one of those things in the Alien movie that springs from a pod, smothers your face, deposits an embryo in your guts that gestates with incredible rapidity and chews through all your inside wiring, leaving you bloody, dead, mouth agape at the utter unfairness and speed with which your life force was sucked out of you. With your vision flickering like an old TV, your last image is that of the predator you incubated lurching down the block, looking for it’s next meal. Welcome to the workplace!”
I thought that was helpful, no? More tk….