Archive for the ‘Seminars & Workshops’ Category
It’s been a busy year, so much so, I didn’t get around to doing a KelbyOne live seminar until late June. They are fun to do, and it looks like I’ll do a few more as the year progresses. The Kelby folks actually changed the name of the tour in the middle of things (thanks guys:-) so it is now called “The Power of One Flash.” Good example below. A very patient lady helped me out by coming out of the audience in San Jose for this one flash snap.
It’s a one flash deal, but the flash is ping ponged off a white foam core board. It faces away from the subject, hits that board, enlarges and softens dramatically, and then hits a 3×3 Lastolite Skylite Rapid Diffuser, which is very, very close to her face. When the already bounced light translates through that, it gets really glowy and soft. It’s basically a home made soft box I make on stage.
At the top of the blog, the pic is three flashes, but I don’t get to three until the fourth hour, and only use the that many for about 10 minutes. The rest of the day is pretty much one flash treatments, which I regard as a serious act of restraint on my part.
The gentleman in the hat is lit with two rim lights, off to the sides and behind him. I shot in tungsten white balance, so the white light SB-910 units go blue. With a little underexposure, they get dramatically blue. The front light is a little beauty dish that used to be made by Flashpoint. Sadly, they don’t make it anymore, but I loved the controlled snap of the light, especially when used, as it is here, with a honeycomb grid. It’s tight, and really pops the subject, but let’s the other lights do their thing, as it’s overall field of coverage is really defined and narrow.
Also experimenting with a new style of umbrella. It’s big. (Called a 4 in 1 by the Lastolite folks, it is 51″ so the coverage is excellent.) Used in reflected fashion, it easily drapes Brad and Jan here in rounded, soft light. (This big source gets trotted out in the last hour, where I show some Profoto large flash units, and contrast that approach with multiple speed lights into one shaper.)
Then, with the addition of a tri-grip silver reflector, and some banter, we ended up here. These lovely folks have been together a long time, over 20 years, as I remember. Many thanks to them for coming onstage.
But turn the umbrella into a shoot through, firing only through the center port, you can make it a character driven light, such as the treatment here of Chet, also a wonderful volunteer from the audience.
The above pix are shot with the exact same light source, the 4 in 1, but configured in a different way, which yields decidedly different results.
Next one of these stops is Cleveland! Having fun doing these, and many, many thanks for all the gracious folks who come up onstage and help me out during the day. Most people don’t imagine at the beginning of the day that they will end up with a photo session in front of 300 plus people, but for a few, it works out that way. Hey, I get a great subject to work with, and they get a new Facebook profile picture. All good……more tk…..
Very happy our St. Lucia lighting workshop merited coverage in the New York Times Sunday Travel section! As we always say, it’s a workshop in paradise, the only one of its kind we do all year. A true destination resort, Anse Chastanet/Jade Mountain remains a lure for me, no matter how many times I’ve visited there over the course of 20 years of going to St. Lucia.
We do lots of lighting, and then guest instructor RC Concepcion steps forward at times during the week to display his wizardry in the realm of post-production. It’s a full week of location lighting techniques, critiques, models and locations. Here’s a link to the workshop week schedule. (Make sure you scroll down the page.)
We made the printed paper as well!
Happy as well for Barbara Cadet, the wonderful island saxophonist in the picture. She put up with me suggesting she play her precious sax in the ocean surf.
This past week on the Charles Bridge in Prague, I touched this image, below the statue of St. John Nepomuk. They say, if you touch this icon, you will return to Prague. I certainly hope so.
We continue to push ahead and have some fun up here at the Vancouver Photo Workshops, doing a whole week of experimenting with speed lights.
One speedlight, outside the window. Tri-grip diffuser held up against the glass. TTL signal from camera pulsed out the window to the flash in the street. Couple frames, soft light for Mary June, who is a lovely model. Tomorrow is a big group here at The Ironworks in Vancouver for an all day lighting demo. Then, for me, a red eye to Washington DC (if it every stops snowing). Back to Vancouver later next week.
In February, heading back to one of my favorite places to shoot, Vancouver, Canada. I’ll be up there for a week, and teaching a wide array of flash techniques, both in seminar style classes and one and two day intensive workshops. Hit this link for full info.
It’ll be a hoot. I reunite with some of my favorite models, and favorite photo community folks, such as the dramatically beautiful Shazmin, shot here with just one light.
Also get a chance to work again with friend and local Vancouver shooter, Syx Langemann. Syx is something of a legend up there in Vancouver, and I always enjoy the collaboration. It’s also a chance to update their family photo.
One of Syx’s specialties has always been nudes, dance, and figure studies, and he and Taryn actually met on such a shoot. So, in keeping with that tradition, I photographed the two of them when Taryn was pregnant with their first. They have two kids now, so time for a new portrait this year.
Vancouver remains a wonderfully vibrant and creative photo community, and I always learn a great deal whenever I am there. It’s a chance to experiment, teach, and shoot in a great city, and one that actually has decent weather in February. (Well, compared to Connecticut.)