Archive for the ‘Links’ Category
To all for such a gracious welcome to the blog world. I promise to try to keep it going, and stay lively, win, lose or draw. Just doing this is a big deal for me, and I gotta admit some stuff here. First, I ain’t the most organized or responsible person on the face of the planet. Also, I’m a big time day dreamer. (Some picture ideas come out of those day dreams, to be sure. I guess I’ve always wondered if I could get paid for day dreaming, you know, charge a client a half day research fee if you thought about their job in the shower, for instance. Hmmm.)
And, I suck at the computer. I’m getting better, but the idea of being real, real good at this machinery is probably one of those things that ain’t gonna happen to me, like playing center for the Knicks.
I’m learning, though, from a guy named… Brad. Brad is our first assistant both in the studio and in the field, our IT person, go to guy, all around organizer, and the one who calms me down when I start hitting the computer with a hammer and screaming, “Make the little pictures come out!!!!”
You might occasionally get a response from Brad to a post. He’s a good guy. He actually lives with us, us being me and my wife Annie. He has his own apartment downstairs, comes and goes as he pleases, and we never hear him when he’s down there cleaning D3 sensors and watching Office Space.
[Many more thanks after the jump]…
I’ve been doing these training videos on location light for my buddy Scott Kelby. They’ve been a ton of fun to do and, at first glance, I’m even mildly coherent. Click here to preview the lessons and site. If you can get past my visual appearance (hump, twitch in the left eye, constant drooling), there’s a fair amount of ground we cover about lighting both in the studio and on location, and using both large strobes and small, hot shoe flashes.
First one is up, and I take a look at light shaping tools from umbrellas (shoot through, reflected), to large and small softboxes, direction of light, methods of softening the light to achieve a good portrait look, to using a second strobe to provide fill and a bit of glamour. We chew through a bunch of stuff in the studio, some times being successful, and sometimes not, making adjustments, trying different stuff, even a quick ring light set, and then at the end of the day, real time, chasing the fading sunset, we do a seat of the pants strobe set on the beach with Jennifer Concepcion, a truly magnificent ballerina.