Archive for the ‘Fun’ Category
I have never trusted lens shades. That doesn’t mean I don’t use them. I use them religiously. I just don’t trust ‘em. They are generally somewhat flimsy, plastic things, that, once in place, are an assist to your lens, to be sure, but the marriage to your lens is about as solid and lasting as a set of drunken wedding vows uttered at 3am on the Vegas strip. Read the rest of this entry »
This picture, despite the somewhat disastrous consequences for me, and my camera, when all 330 pounds of Nate Newton hit the water of the pool that I was actually in, floating sort of underneath the diving board, always brings a somewhat reflective, rueful, and at the same time thankful smile to my face. After all these years, and tons of really ridiculous sagas in the field, stemming from the alternately frustrating, fruitless, heartbreaking, satisfying, thrilling roller coaster of seeking to make a picture, I still have a camera to my eye. The adventure continues.
To all who occasionally stop by the blog, many many thanks. There is so much to be thankful for in this amazing world. And while the above is not exactly a “Thanksgiving Day” photo, to be sure, perhaps it will have a bit of resonance for all those who might be gathered around a table for a while today, and then gathered around a TV, engaged in the popular American mix of food, family, and football.
All the best to all….here’s to more leaping, bounding, splashing adventures still tk….
Worked in Manhattan this past weekend, which was one of those amazing fall weather weekends in NY. Had a Nat Geo Expeditions class up at Top of the Rock, and also walking all over the city, which remains one of my favorite things to do with a camera in hand. Interesting, the mix of the city. You see the all the glitter lights from way up top, but, down on the street, it gets a tad more gritty.
I don’t know why Manhattan’s pigeons like this particular stoplight at 59th and 5th, but they are always there. It might be all the horses and carriages immediately below. (Horses are sloppy eaters, evidently, and leave a lot of feed on the street.) Or maybe they just know it’s a pricey address with a bunch of social cachet.
Gene is a good guy, and a good shooter who works at Adorama. He was about to get married, last week, at City Hall in downtown Manhattan. He mentioned to his colleague, Annie, my wife, that he kinda, sorta, needed somebody to take some pictures. Annie made a call.
How could you not shoot a joyous few hours like this? Gene’s bride, Olivia, was radiant and beautiful. Gene himself was so over the top in love I coulda used his bald pate as a Group B kicker light. Sharing this day with them was a great way to start the year. (I don’t know about you guys, but I’ve never gotten off of school schedule. August is always dog days, a reprieve and recharge period. September means back at it.)
The day started early at an East Side hotel. Olivia donned her veil (very proud she had found it for $5) and pulled herself together while Gene clutched the marriage license and engaged in deep breathing exercises. Rings? Check! ID’s? Check! Metro card? Check!
And off we went to the subway.
If New York City were a human body, the subway system would be the veins. They nourish the city by ushering people on a mission to every nook and neighborhood. On a subway car, you hear everything from Swahili to French to German to Farsi to English—the unique, mixed jargon of the underground. Very international, which is to say, quite local, given the fact of New York.
Gene, from Ohio, and Olivia, from Zimbabwe, fit right in, and given their attire, and the fact they had a photog in tow, were warmly received on the six train to City Hall and the courts. As block after block zipped by overhead, the congratulations flowed, and good spirits filled the car. It was such a treat as a shooter. Instead of being greeted with the usual mix of subway suspicion and indifference, punctuated by the occasional growl of annoyance at a flash pop interrupting the morning look at Page Six, I was an honored guest. People suggested shots, and had no problem with me squeezing into a crevice on a bench to get an angle.
We flew to City Hall. And found some light along the way.
Once inside, I found myself in an effervescent swirl of happy humanity, all of them there to simply declare their love of someone. This wasn’t atheist, or Christian, or Jewish, or Buddhist. It didn’t have a color, or a preference. It wasn’t about where you were from. It was about where you were about to go with the person you had just declared your love for.
Now, it’s still a government bureaucracy. You have to stand in lines, take a number, report to windows, have documents checked, and pay a fee. But, given the mission of the folks on those lines, there was none of the irritated clock watching and tense conversations that often occur when the public faces off against an overworked bunch of folks behind a counter. Think of a deliriously happy version of the DMV.
At a civil service like this, with literally hundreds of people waiting to give each other their first married kiss, the ceremonies are short and sweet. You walk in single, and three or four minutes later, you’re married. You walk out to the cheers and clapping of total strangers, who bid you good luck, and then walk in to try their own in a whole new chapter of their lives.
I thank Gene and Olivia for the invite to their wedding day. And Annie, who made the call. She snapped this Iphone shot of Gene last week. I’m sure today, he’s back at his station at Adorama, doing his thing, which he does quite well.
Being part of their nuptials was a great way to start the fall, a breath of cool air to blow out the sogginess of a long summer in the big city. It was also a powerful antidote to our current, roiling season of discontent and politics, announced daily in tiresome headlines that fairly reek of nastiness, exclusion and blame mongering. It was a wonderful, emotional reminder that when you find your beloved, your life becomes automatically good.
For the technically minded, the pix were all shot on Nikon D4 cameras, with ISO ratings ranging from 200 to 1600. A little bit of hot shoe flash was mixed in here and there. On the bridge we used a shoot through umbrella, with two SB900 units firing through it, maxed out, given the harsh sunlight. A lot of frames were shot with available light, and I pretty much, for the backgrounds, just let New York be New York. Lenses were 24-70, 70-200 and a 35 f1.4. Post was super basic–a bit of burning and dodging and contrast. Couple got sharpened a touch. Couple others had some NIK lighten/darken center. Other than that, these are JPEGS out of the camera. Gene and Olivia, with their expression of love set against the vibrant mess of NYC, are as real and durable as the concrete they walked that day.
May the road rise up to meet you both…..more tk….
Just back from Asia for a stint, and I have to say it was a complete honor teaching and working alongside Zack Arias. He explains his minimalist style and approach so clearly and well, and it’s pretty terrific watching him in action. I have to say his theories and practices with “one only” style of lighting influenced me greatly, not only in my photography, but in other areas of my life as well.
For instance the paintball arena. Below is kind of a “one light” approach I used for paintball. Okay, call it “one shot.”
I really kind of felt bad about it afterwards. I mean, I didn’t mean to hit him in the face. I was actually shooting his direction just to distract him, seeing as he was launching paintballs at my daughter Claire. Turns out she really didn’t need my help, as she was smarter, smaller, faster and more agile than the rest of the hulking, testosterone fueled males she was out there in the jungle with, all of us near keening in our desire to just splatter somebody.
Creative Asia was a wonderful gathering, and I was very proud once again to be included alongside friends and colleagues like Louis Pang, Zack and Michael Greenberg. Zack and I traveled on from Hong Kong to Kuala Lumpur, where we taught big seminar days together, as well as individual classes. We were located at Taylor University in KL, which had this weird, checkerboard type of Astro-turf quad out there in the middle of the campus. It was so odd, I took the class out there into the microwave oven of midday Malaysia in July to experiment with line of sight TTL transmission in bright conditions, and also high speed sync for small flash. We were accompanied by the resolutely beautiful Evon Tan, who it has been my pleasure to work with on several occasions.
It being as harshly lit and hot as the inside of an incandescent bulb, I naturally asked Evon to start jumping.
She did this listless, sort of puppet with cut strings hop into the air, and I, gracious as ever, excoriated her from a distance. (I was shooting a 70-200mm from a balcony.) I shouted something like, “Hey Evon, could you put a little effort into it? Like, you know, that looked somebody dropped a dead duck from a third story window, you know?” Or words to that effect. Evon and I have worked together before, as I’ve noted. She responded righteously and vigorously, answering my call. Effectively, the big dipshit from the States was trying to get an Asian super model to act like a high school cheerleader from Kansas.
Showing the very few frames I shot later, the consensus was that the dropped dead duck frame worked and the rest of my offerings were garbage. Drew actually led the charge on that. Back at the studio, Cali confirmed that the above was the most interesting frame. I looked at them, perhaps being a bit sensitive to the recent passing of a birthday, and asked if this was a generational thing. No, no, I was assured. This was nothing like their collective disapproval of the tan socks I relentlessly wear with half boots, the Jesus sandals I have a penchant for stumbling about in, the fact that I like Joni Mitchell, or my tendency to use gels on my lights in a style that disappeared with pet rocks.
Anyway, the class had some questions about line of sight transmission working in bright light, which we resolved pretty well. (It worked, from about 100′ away.)
Finals on the select were 1/500 @f16, ISO 100, lens zoomed at 140. The three flashes were arrayed on a Lastolite rotating tri-flash, which enabled me to orient the light sensor panels in one collective direction. Given the bright conditions, I sent the flashes a signal to go manual, full power, wanting a lot of DOF to keep the weirdness of the grid sharp. Now, could you do this with a flash pop from a single bigger light? Of course. I’ve done that more times than I can remember. Could you use a medium format system with a leaf shutter to gain access to higher shutter speeds? Of course. But, we were teaching speed lights, and this is the gear I had, and the blazing sun was the hand we were dealt.
At another location, late in the day, down in Chinatown, I borrowed Zack’s Paul Buff light and put it across the street with a gel, and lit a restaurant Evon and I had frequented before. One light, far away.
As I always say, ya gotta love a lady with a cleaver! More tk…