The folks at Lastolite are pretty cool, especially their chief designer, Gary Astill. Cool, in the sense they are receptive to ideas, which is a somewhat tough quality to find in a manufacturer in the photo industry. Listen to a photographer??!! Whaddaya crazy? They’re all a buncha wackjobs!
Point taken. We do dream up some hairbrained schemes now and then, passionate, reckless creatures that we are. But, when you work in the field for a long time, experience all sorts of adversity, attempt to use malfunctioning gizmos that were supposed to work and make life easier, and try reading bad manuals for DOA technology that does not live up to billing, well, you acquire a certain wry, rudimentary sense of what’s a good idea and what’s not. We conduct our lives with Murphy lurking in the camera bag, just ready to leap out, like a wrestler launched from the ring ropes, an airborne freight train of disappointment, body slamming our photographic ambitions for the day into the canvas of despair. This ever present possibility, out their on location with us at all times, makes us seek simple things that work.
Like a white interior for a soft box. The EzyBox Hot shoe soft box with a white interior has been out for quite some time now, and proved to be popular. So we transferred that notion to the already popular Lastolite Speed Lite box. It now comes as a Joe McNally version , called the Ezybox Speedlite Plus, with a white interior and three drop in diffusers, so you can control light temperature and level of diffusion. Incremental changes, but significant in terms of the quality of light. Hit this link to take a look.
You can also punch in firstname.lastname@example.org, he’s got a handle on them. And, quick update, Adorama just updated their webpages to include the new products…..here’s the direct link.
I used it recently in Cuba, the only light shaper I took with me, and made a quick demo snap with it of a lovely dancer.
I left it in Cuba, with wonderful shooter, Arien Chang. It will be perfect for his style of street shooting. It’s versatile, fits in your camera bag, and gives you a punchy, but soft light in a tiny package that weighs nothing. Below is another version with the gentleman in the set back into the leaves.
It’s a good, soft light, that, unfilled, has some drama, but can also be filled a bit with a bounce surface, like a tri-grip, and softened. It can be hand held, or put on a stand. There’s a video at this link as well.