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The Return of the Umbrella

Nov 19

In Equipment at 8:46am

At least for me. I mean, I’ve used ‘em for years, but sparingly, generally opting for the clarity and control of a soft box. Nothing wrong with umbrella light, it works quite well. But, given many situations I get thrown into, control of light often becomes paramount, and the inherent scatter and diffusion of a brolly tends to mean it gets left in the bag. They have good points, to be sure. Light, fast, cheap, collapsible. Cheap is a good thing to note, as they are hardly durable, and thus you find yourself replacing them on at least a semi-regular basis. Take them on the road for a bit, or put them up in a mild breeze, and their longevity drops precipitously.

But I did look around of late, and started to realize how many times I’ve resorted to an umbrella on recent jobs, and how that has coincided with the introduction of the 8 in 1 umbrella model from Lastolite. I had nothing to do with designing it (wish I did)  but the options it presents and the handy packing potential of it made trying it intriguing. And, very rapidly, it has become a light shaper that always goes with us.

When using a smallish soft box, which I do a lot, there is certainly clarity and direction to the light. But, at least occasionally, that type of soft box, due to its size, can produce a sharpness of shadow that often has to be managed, i.e., filled a bit, either with a bounce card or another light. What I’ve found (and this is intuitive field stuff going on in my head here, now, not a careful scientific experimentation with comparisons and controls) is that the rounder quality of light coming from the parabola shaped umbrella surface, has more forgiveness and a softer fall from highlight to shadow in the way it plays on the human face.

One of the go to things I’ve embraced about the 8 in 1 is the mode in which you can snuff a great deal of the edges of the shaper with its opaque black cover, and force the light through a small port in the middle, as below.

I’m using three small flashes here, mounted on a tri-flash, certainly not for power purposes (the shot this arrangement produced was made at f2) but for the purposes of volume of light. By increasing the size of the light at the source, with a small gaggle of speed lights, you definitely get an incrementally rounder, more voluptuous quality of overall light. This type of an arrangement to me, speaks to one of the strengths of CLS/TTL in that I can rack out to f2 at the camera, and the flashes (presumably) then follow me right there. Can you do this manually? Of course. Can you do it with one speed light? Sure. You just tax the unit a bit more, and there is, I would submit, a crisper edge to that line of demarcation between highlight and shadow. It’s really all up to your work flow, and the look you seek.

You might notice above I’ve got a big black surface pushed into the camera left side of the set. That is to kill blow black from the ass end of the umbrella. Always been an issue with brollies, as, especially in shoot through mode, you lose a lot of light traveling in the other direction. That light can then carom off the walls of the studio like a screaming banshee and fill shadows you don’t want filled. This loss of control can drive you mad. You stand there looking at a flat, filled picture and wonder how the hell it got like that. You stare at the front end of the light, puzzled at its behavior. But that’s like being cop, banging on the front door, warrant and cuffs at the ready, while the perp climbs out the rear window and down the fire escape. The 8 in 1 cures this by providing an opaque which will Velcro to the back end, and cut this notorious spillage, making the umbrella, effectively, a soft box. In that mode, for a situation like this, you would most likely go out of line of sight trigger mode into straight up radio trigger/manual slave operation, because the opaque cover will block line of sight transmission. But, here in the studio, we had access to a 6×6 black out, so we simply used that, and preserved line of sight.

With Deidre in forest, I just let the umbrella play in its entirety, which always produces a predictable, soft, splashy quality of light. Nerissa, my dear, vertically challenged friend, is ably holding a Shur Line paint pole with a Kacey pole adapter affixed.

Again, here, I’m using a tri-flash, but more for battery longevity and recycle time than quality of light. We had spare batteries with us, but we were a long walk from the car, so I tried to push the lights as conservatively as possible. I used the same paint pole, shoot through arrangement for the below, but again, corralled the light with the velcro blackout fabric, and made the light source smaller. That way, it has good punch for the model’s dramatically beautiful face, and the light collects up top, near the flow of the dress and her shoulders. It doesn’t spread all over the place.

There’s all sorts of new umbrellas out there now, some of which provide a lot of surface (they are damn big) in return for not too much investment, dollar-wise. Lastolite, Westcott and Photek come to mind as providing a variety of these kinds of sizable shapers. Below, quite unreasonably, I am in a swamp with one of them.

Another nice option when using an umbrella with multiple speed lights, is that you can click the speed light heads and directionalize them into whatever quadrant of the umbrella you feel you need an extra push of light from. In other words, if you want more light in the lower half of the shaper, then take the right and left flashes and click them so they point downwards, even straight down, so that what actually translates through the fabric of the umbrella is more on the order of the sideways splash of the light, and not the direct, frontal push of it. In short, you can feather these speed lights in multiple directions even before they hit the light shaper. This can produce very small but noticeable changes in the light quality.

On the Kelby “One Light, Two Light” tour, I use the 8 in 1 on a regular basis, and quickly go from a reflected umbrella style, using the whole shaper, to closing it down and using just the port in the center, for a shoot through approach that has more character and direction. The fuller, more rounded light of the overall umbrella works for the portrait subject below, who was a lovely lady sitting in the front row. The closed down, punchier approach works perhaps better for a portrait with a bit of an edge. This type of approach also gives you more control over your background, obviously. (There are background lights and a sidelight in the below portraits, as well, but the main shaper is the umbrella in question, the 8 in 1.

Jeff Snyder, aka, The Big Guy, from Adorama, has been out with me on virtually all of the Kelby Tours, and has seen the rapid way we can move this light around to produce different looks. If you want to ask about specifics, he could be a good reference or source, jsnyder@adorama.com.

As the end of the year and the holidays approach, I’m going to periodically drop a blog about things we are currently using, or have found useful. Hard to believe another year is looking for the exit sign. More tk….

24 Responses to “The Return of the Umbrella”

Donfer says:

on November 19, 2012 at 8:53 am

Thanks for sharing again :) )

Darren Whitley says:

on November 19, 2012 at 10:13 am

Umbrellas are probably the first thing a young photographer will use. It’s also the the first modifier they’ll abandon because they’re not a softbox. But having done that, I’ve found they’re almost as good as a softbox without the ability to control spill. I use the hell out of them and even after almost 10 years of carrying Strobist gear, I’m using the same original umbrellas.

They’re robust and extremely fast to set up. I carry a shoot-through, a foil faced and a white faced umbrella which gives a lot of instant flexibility in one lightstand bag.

I’ve had the wind knock my lights down and damage them. But I’ve become pretty good at repairing them with parts from a trashed umbrella. With patience, sewing needle, thread, pair of needle-nose pliers and cheap picture hanging wire they’re easily repaired.

Mike Standing says:

on November 19, 2012 at 10:15 am

I have suggested to Nikon a solution for the direct line of site issue, please chime in.

I loved my old SU-4 remote flash controller. I could put it on the end of sync cord and move my flash anywhere.

Nikon needs to re-engineer the SU4 so that it speaks CLS. Then it can be placed line of sight and your flashes buried whereever, just a long as they are linked by a cord.

Bill Hanley says:

on November 19, 2012 at 10:40 am

I appreciate your thoughts. Thanks for sharing your expertise.

AlexSiu says:

on November 19, 2012 at 10:58 am

Great!Thanks Joe,I like your picture.Wlcome to China.

Jan says:

on November 19, 2012 at 11:25 am

Thanks a bunch for sharing, I was looking for something like this for quite a while! Take care.

Dylan Patrick says:

on November 19, 2012 at 12:21 pm

I love me some umbrellas for sure. It was, as stated above, one of the first modifiers I used. I also have been using Lastolite’s 36in hot rod Octa. Which in combo with a 24in soft box and a umbrella occasionally is my go to modifier. The Octa I feel has a nice blend of both the soft box and the umbrella. I use it for the headshot side of my business religiously and it provides a little more flexibility when clients move their face. Lastolite’s Octa doesn’t quite pop out ready to go but very very portable and easy to set up in anything but a hurricane. I wish they’d make it with the white interior though :-) Joe have you tried Lastolite’s hotrod Octa? Would love your thoughts!

Geoff Penn says:

on November 19, 2012 at 12:37 pm

Ha. Thanks a bunch McNally.

When the Director of Domestic Finance gets to read this, she’s going to scratch that nice softbox from my Christmas present list, and tell me to carry on using my umbrellas. (“Well, if umbrellas are good enough for Joe McNally, they’re certainly good enough for you…”)

And I thought that you were the photographer’s friend.

Hmmm. Sooo, the Lastolite 8 in 1 eh? Hmmm.

John Keel says:

on November 19, 2012 at 1:52 pm

A little black fabric and some DIY time and you can create your own covers for whatever size umbrella you might have. I am working on a strip box shape cover for my 7′ Westcott shoot through and want to make a soft box shaped one, as well.

You can do the same thing with a reflective umbrella by combining black fabric and diffusion material to so that the light bounces into the umbrella and is then shaped by a fabric screen on the front.

Felix says:

on November 19, 2012 at 4:55 pm

Thank you, Joe, for this great post! Umbrellas rock!

Andy H. says:

on November 20, 2012 at 11:22 am

Thanks Joe! This is very timely. After using your Lastolite EzyBox for a while, I decided to roll with an umbrella on a shoot last weekend and I couldn’t figure out why all the images looked flat. This explains it! Thanks!

Blonde Woman Stamping says:

on November 20, 2012 at 12:45 pm

Enjoyed this post and found it very informative. Love your work.

Marlon G says:

on November 20, 2012 at 2:24 pm

I agree 100% on the versatile functions of the good old fashion but still popular umbrella. I’m a photographer in South Florida. Approximately 65% of my jobs are with picky brides (weddings) who are looking for images that rivals big shots like “Joe” and I try my best to do what I can with an umbrella and a lighting assistant at every event especially when I’m doing the creative portraits after a ceremony away from their guests. I also sometimes use umbrellas for location product shoots for commercial clients. I have 3 in my equipment bag. 24″, 36″ and 48″. They are with me for every job whether I’m doing and event of a commercial shoot.

The umbrellas are like my AMEX card. “Don’t leave home without them”

Fotografia Esencial says:

on November 20, 2012 at 8:43 pm

I personally like the Quality of light you get when shooting through an umbrella, is quite soft and lets you get subtle shadows.

tomasz brymora says:

on November 20, 2012 at 11:22 pm

Thank you Joe for sharing the shots from the recent Kelby workshop in Tampa! I’ve been to 3 of your seminars and even though they shared the same theme, each one felt very different. I’m still trying to decide what was better in Tampa, the technical stuff or you leading and teaching by example when you had to pull subjects from the crowd for each demo :-) Glad to see the ‘Flower Lady’ again (I’m so sorry for not remembering her name :-( , ‘the cardiac nurse, working with troops returning from Afganistan’)

Giorgio says:

on November 21, 2012 at 11:56 am

oh, great great work !!! this use of umbrella is wonderful !! i like much the photo of the green dress lady…expectacular !!!

Adam says:

on November 22, 2012 at 4:08 pm

Great post Joe, will be following s he’ll lot more of your work I love the versatility of speedlites

Mike Sweeney says:

on November 25, 2012 at 9:40 am

Another informative post. As someone mentioned, the umbrella was my first modifier and then parked when I discovered softboxes. I have since go back to them in a shoot through mode. I just got the Kacey adapter myself and working on plans to use my painters pole in an upcoming shoot.

{Arnaque freelance|arnaque indépendant} says:

on May 7, 2013 at 4:16 am

yeahhhhh good article on umbrella companyyy, please write more.

Fotografía Kromatica says:

on June 7, 2013 at 6:17 pm

When I start in photography I used umbrellas a lot. It were my first modifiers. I’ll try to used again in locations. And I’ll try it with my 3 flash mount for light volumen…!

Bharat Pania says:

on September 26, 2013 at 7:29 am

I like your 8 in 1 Lastolite umbrella.your are also crater of significant photo equipment .

y

Steven Green says:

on November 19, 2013 at 2:10 pm

This was extremely informative and very helpful as always. I am very appreciative of the years of knowledge that you openly share to assist others in becoming better photographers, and always find myself referring back to your blog and books before undertaking any portrait project just to check myself. Again, many thanks!

David Eichler says:

on July 4, 2014 at 4:47 pm

How do you feel about umbrella/softboxes, either the bounce or shoot-through kind? Do you ever use them?

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