So I was with the DLWS gang in the Marin Headlands, looking at the Golden Gate Bridge, which, I can reliably report, does not move. See below.
No stranger to photog paranoia and insecurity, which rages in the hearts and minds of shooters everywhere, I continued to prove that salient fact over and over again, as if my right index finger had developed a kind of idiot savant twitch, in that it knew how to do one thing well, that is, push the damn shutter button over and over again. I’ve always been good at simple, repetitive tasks, so I went to town and produced a grid of remarkably similar looking photographs. My early career wire service editors, those members of the “One or Two Frames, Shoot It Clean” tribe are spinning in their graves.
I never met a landscape I couldn’t put a person in front of and thus make interesting, so I importuned Moose’s redoubtable son Jake to be between me and the bridge, and thus save me from myself. Pretty nice portrait actually, as Jake got his mother’s looks and not Moose’s:-) (He did get his dad’s knack behind the camera, though. He’s a damn good shooter.)
And then, of course, I stopped, no doubt worn out from the all the clicking. I was sitting there, enjoying the breeze, looking at the sky, and just generally refreshed by not being inside a building. (I do honestly believe that sometimes, forget the photography, just look and enjoy.) I was sitting, watching the sun go down, and and the sky deepen, and the car headlights come on, and just letting lethargy and laziness take over. I mean, I was sitting on a Moose pack that contained a good chunk of the Adorama equipment catalog, and I wasn’t doing shit with it. Other folks were racing with the light, being photogs, looking and shooting, and I sat there, keeping my fingers warm by placing them under my ass.
Sun’s goin’ down in a big ball. Nice. Good clean throw to the western sky, lotta leeway to the east to get below it and look back. Nice. Got a D3X on a tripod, and a 200-400mm in my bag. Coupla flashes. Nice. I sat there with all this stuff, and my brain disconnected. Remember in T2 when the Arnold cyborg, just about crushed and dead, switches to a backup battery and his noodle flickers back to life? That’s pretty much what happened. I looked around and in one of those coulda hadda V-8 moments put the setting sun, the wall I was sitting on, the long glass and Jake together in my head.
Some mindlessly frenetic scrambling and shouting produced the camera and lens combo, Drew with a flash on a paint pole, and Jakester in position. See below, shot by fellow photog Rob Aramayo.
Got this, with Jake looking like one of the Watchmen.
Of course the sun’s just about gone. Every frame I got prior to this was either a test or a flat out bad shot with people wandering about the background. If I had started even 10 minutes earlier, woulda had several good frames and a ball of sun. But I didn’t. I didn’t see it ’cause I wasn’t looking. I’m pretty hard working, generally speaking, but I tell ya, sometimes I get so damn lazy out there it makes me wanna upchuck. Anybody else out there ever pass up a good frame ’cause you were too much of a lollygagger to pull out the camera? Or worse, there’s a camera in your hands and you just can’t muster the energy to change to the right lens? Guilty as charged, your honor. I’ve passed up good pictures just ’cause I didn’t want to put down my coffee.
Shot at f18 at 1/50th of a second, 200mm on the zoom. Plus one on the flash. Minus 2/3 on the camera EV. Wish I had more of ‘em. Maybe I will next time, when I remind myself to shoot and move, instead of sit and watch. More tk….