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Welcome Adorama!

Jul 8

In Thoughts at 12:41pm

Long blog. Apologies. This is a history that doesn’t sum up in a couple of grafs. What I am celebrating here is the resiliency of the photo community, and the welcome partnership of Adorama Camera here in NY. They have stepped up to help me shepherd a collection of pictures stemming from the events of 9/11, and we will collaborate via this blog, education and lectures. Please read on…..

Back in 2001, things weren’t great in the photo biz, I tell ya. It was heavy sledding, trying to get work, staying afloat, keeping the studio running. Little did I know that just around the corner the jalopy known as McNally Photography, a sleek machine with a couple of flats, transmission trouble and a top end of oh, about 22mph, was going to get bulldozed by this event called 9/11, which changed all of our lives, forever. Everything after that day became, “the new normal,” a phrase that grew out of just how thoroughly, absolutely, and irretrievably everything was now different.

Like many NY shooters, I had a love affair with those towers, those twin exclamation points at the end of Manhattan. They were in lots of my pix over the years.

In a moment of youthful exuberance, I actually climbed the antenna on the North Tower.

Then they were gone, replaced by this giant dust cloud of destruction that floated out and settled on all of our shoulders, hearts, minds and spirits. “What to do now?” was the oft repeated question. How to deal with the sadness, the rage, the confusion, the uncertainty? How to make a contribution? On some level, no matter how miniscule?

I’m a photographer. Pictures are what I have to offer. (It’s the only thing I really know how to do.) But I did not go to the streets, like so many of my colleagues. Quite a number of them were already at it, in heroic fashion. I could add very little to what they were doing. I stayed at home, hung with the kids a bit, and stewed. First time out with a camera after the day was to shoot Mike Piazza, then the Mets catcher. SI was doing a piece on how athletes played a role in lifting our hearts and minds.

In 2000, I was assigned to shoot pictures for a very small story (which was never published) on a unique photographic instrument called Moby C, which at the time lived on the lower East Side of NY. Moby after the whale, not the musician. (His birthday is Sept. 11th, l965, by the way. Sept. 11th is also my dad’s birthday, back in 1912.) This camera is the world’s only Giant Polaroid camera, invented at the behest of Dr. Land himself. It is the size of a one car garage. Its lens came from a U2 spy plane, according to legend. At f/45, you have about an inch of depth of field. You cannot focus the lens–you have to focus your subject by moving them back and forth in tiny increments. There is no shutter, you have to work camera obscura at the moment of exposure. I used about 25,000 watt seconds of strobe, mostly run through a 12×12 silk. The strobe system was wired to a Mamiya RZ 6×7 camera, bore sighted under the Polaroid lens. We would pose the subject, then wait for the interior workings of the Polaroid to spool up (there are two technicians inside the camera when you shoot, and they have to prepare things, like switch on a Black and Decker wet dry vac to suck the Polaroid film to the giant backplate of the camera). Then I would go dark in the studio, pull the cap of the Polaroid lens, fire the Mamiya and thus render an instantaneous dupe, one a huge positive, and the other a 6×7 transparency.

Huge indeed. What results after the exposure is a life sized image, 40″x 80″. You lay it out on the floor of the camera, wait 90 seconds (it’s the same Polaroid paper that comes in your over the counter cameras) and then peel the chemical backing off. There you have it.

I had convinced the elegant and easy going Jennifer Ringer, a principal with the NYC Ballet, to come and work with me during this first, experimental day with the camera. We made some nice, big pictures of her. (I was chuckling inside during this shoot, harking back to our old philosophy at LIFE magazine: “If ya can’t make ‘em good, make ‘em big and in color!”)

Made seven successful images that day, which is a lot of production for this behemoth of a camera, and found I had a bit of an affinity for working it. (Try anything once, right? Just have faith and remember the Lord looks after a fool.)

Hmmm. Things stick with you, right? A week after 9/11, I sent an email to the only guy I knew who had a bunch of cash and would give me a quick decision; the editorial director of Time Warner, John Huey. John’s basically an old Southern newspaper man who kind of looks at you sideways, lets you babble, and then tells you what he thinks. He’s smart as a whip, quick off the mark, and does not suffer fools or photographers gladly.

I sent him the email on a Thursday night. He gave me money for the project Monday morning. The pressure was on. He was taking a huge gamble with his company’s dough, $100,000, to be direct about it. He looked me in the eye and drawled, “Joe, you spend $20,000 and get me no pitchahs, that’s okay. You spend $100,000 and get me no pitchahs, we got a problem.” He kind of drew out the word, “prrroblem.” I gulped and left his office.

My notion was that this camera was made for people of stature, a heroic instrument, if you will. You have to literally stand for your portrait. You collect yourself in the dark, holding still, waiting for the strobe explosion. And then you are done. One shot. (90% of our subjects we did in one exposure. Each sheet of Polaroid cost $300. I dreaded blinkers.)

It became a document known as Faces of Ground Zero. It toured through seven stops, opening at Grand Central Station, and coming back to NY a year later. For the anniversary show they threw a huge tent over where they usually put the Christmas tree in Rockefeller Center. It was seen by lots of people. The Polaroids and the resultant book(s) helped the sponsors, Time Warner and Morgan Stanley, to donate close to $2 million dollars to the relief of downtown public education. In the tent at the Rock Center show, we sold about $40,000 worth of books in 3 weeks. All of it went to the downtown PTA’s.

It also acquainted me with an extraordinary group of people, many of whom I stay in touch with to this day.

Danny and Joanne Foley. The Foley’s are one of the most giving, decent, loving families I have ever met. A firefighting family. Danny promised his folks he would bring his brother, Tommy, home. Tommy was on Rescue 3, one of the first responders. Eight men were on that truck. None came back. Danny stood for this picture a few days after finding Tommy’s body. In the year after 9/11, he stepped up and took his brother’s place at Rescue 3, in the Bronx.

Joanne, about a year later, at the family farm, with Tommy’s cowboy hat.

Jan Demczur, a Polish window washer who scraped through 6 inches of sheet rock with his squeegee blade and thus saved the 4 people he was trapped in an elevator with. His squeegee is in the Smithsonian.

About a year after, Jan didn’t go outside much, and was living very quietly.

Mike Wernick, who survived the 93 bombing, and 9/11, now retired. His story of the day is powerful and moving. When he came into the Polaroid studio, the shock of it was still on his face.

Mike and his wife Nuri are one of the most loving couples I know. They survived that day quite simply because of that love. Together they run a motorcycle garage in Manhattan called Rising Wolf (one of the only bike garages in NY) and I managed to shoot this from the back of my assistant’s Jeep a couple years ago.

My good friend, Louie Cacchioli. Louie saved a lot of people that day by keeping his head and telling them to follow his light. Out on West St., running from the second collapse, he was overtaken by the cloud of ash and soot. Blinded by the smoke, he felt along the ground and stumbled onto a discarded oxygen mask. He clapped it to his face. He estimates he had about 30 seconds left.

Later that year, he looked at the skyline from the Staten Island ferry.

Years later, he posed for the prototype D3.

I always describe Louie as a firefighting Robert DeNiro. He tends to make women swoon. He’s retired now, and gives lectures and tours at the WTC site. He was the cover of the book (go figure) and it is one of the blessings of my life that having a camera in my hand enabled me to meet this man.

Joe Hodges. A veteran firefighter who could have easily retired after 9/11, but chose to stay on. “The older guys have to stick around and show the younger guys the way,” was how he put it.

Joe works now at at the Governor’s Island house, and I shot this on July 4th a couple of years ago.

I’ve always been convinced the project worked quite simply because it was photographs of a bunch of really, really good people. We had luck, to be sure. The camera never broke down. Good thing, as it really has no spare parts, and is finicky to work at best. Most guest shooters would make, maybe, 5 images or so (you rent the camera on a daily basis, at that time $2000 per day, plus $300 per sheet). There were days (and nights) we pulled over 40 images out the machine. It kept working.

So we kept working. Our last subject was Rudy Giuliani. He finally came on the last night. We were out of money, out of time. We shot 2 Polaroids of hizzoner, and closed the doors.

Things you don’t think about while you are in the throes of a project like this, are, what happens next? When the Rock Center show closed, I became the owner, lock, stock and metal framework, of about 10 tons of photography. (The framed pieces, which form the traveling core of the show, are 4′x9′ and weigh about 300 pounds.) They reside currently in museum quality, climate controlled storage in a warehouse in New Jersey.

That’s a lot of pictures.

That’s also a pretty sizable storage bill every month, which I have handled pretty much on my own for the last 7 years. Sometimes I just shrug and think of it as a second mortgage. Other times, when there has been no work and less grace in this business, it has veered close to breaking the studio. There have been nights I have woken up and simply thought, well, I’ll just get a permit from my buds in the fire department and set the whole thing ablaze and be done with it.

Together with Ellen Price (epriceinc@earthlink.net), who is the curator of the collection, and has worked more pro bono hours on its behalf than I can remember, we have plied the hallways of corporations and spoken to many about its survival as an important record of that time. Jan Ramirez, now the Chief Curator & Director of Collections at the 9/11 Memorial Museum, has been a champion of the collection since early on, when she was at the NY Historical Society. Along with Alice Greenwald, the Director of the Museum, they have issued a letter of intent to acquire, which has been a huge blessing. It means that sometime down the road, these pictures will find an appropriate home.

Many powerful people came and spoke powerful words while standing in front of these pictures in the days after 9/11. So powerful, they are not the kind that return the phone calls of a freelance photographer. No surprise there. (Or, I’m sure to any who have made their living over any period of time with a camera. I write occasionally to my alumni magazine at Syracuse, to the section which details the comings, goings and achievements of past graduates. I simply say, “After 35 years, Joe McNally is still jobless, and living around New York City.”) Funny, they’ve never published that.

This was impressed on me even further at the 5th Anniversary of 9/11. We staged the Polaroids again, this time at the NYC Fire Museum. We had no money… not a dime. We made entreaties, asked around as best we could. Nothing. I have a loose affiliation with Getty Pictures, so I wrote to my editor at the time, David Laidler, a good guy, who’s no longer there. Came back with a no. Alright. I’m nothing if not tenacious. I wrote again, more, shall we say, pointedly. Getty coughed up $10k. I chipped in five grand of my own dough, and we had enough to pull off a show.

The crates weigh about 2,000 pounds, and we had no funds for a forklift. So groups of off duty firefighters would come in shifts to pull and haul. I tried helping, but Keith Johnson of Ladder 6 just turned to me and said, “Joe, stay away from the crates. We’re firefighters. We’ve got lifetime disability. What happens if you throw your back out? You’re a freelance photographer. Nobody gives a shit about you.” True enough.

So, they sit now in crates, once again. I spoke recently at Adorama, and had a great, fun audience. I presented a few of the Ground Zero images. Memories of that time are still powerful. Jeff Snyder, who came to Adorama from Penn Camera, and I have been friends a long time. We started talking. He set up a meeting with the administration of the store, which was not held over a conference table the size of a football field on the 60th floor of a midtown tower. We sat in a small room over a camera store. It was like meeting the family. In fact, it was meeting the family. We shook hands. There were no lawyers, no contracts, no clauses with subsections 1 through 17, paragraphs D, E and F.

Adorama now is a partner in helping me keep this collection together and finding it a safe harbor. The people in these pictures trusted me with their images, thoughts and feelings in those tortuous days after 9/11. They made the effort to come to a camera that sounds strange, despite best efforts to describe it over the phone. They have formed their own, informal, emotionally connected community. I owe it to them to see this through. Adorama, will now help me do that.

There’s a reason they call it “the photo community.” Because it is.

Again, many thanks to Jeff Snyder, Monica Cipnic, and all the folks at Adorama.

90 Responses to “Welcome Adorama!”

Rob Vreeland says:

on July 8, 2008 at 1:13 pm

Joe, reading this gave me chills. Thanks.

Terry F says:

on July 8, 2008 at 1:20 pm


What an enlightening story! Thanks for putting it out there. And thanks to Adorama for getting alongside you. They get my business from now on.

Mike Simons says:

on July 8, 2008 at 1:29 pm

Joe –

Are there ways that others in the photography community can support the care & stewardship of these photographs? I know you’re busy as heck, but please drop me a quick email if you could – I have a question for off-line.

Mike Simons
near Corning, NY

Christoph says:

on July 8, 2008 at 1:32 pm

Many pictures are not recognized or given the attention they deserved at the time they were made. Many years later, those images become icons. Documents, evidence, memorial and art at the same time.

Think of Dorothea Langes “Migrant Mother”, Lartigue’s “Grand Prix de ‘A.C.F.”, Bert Sterns last Sitting with Marilyn Monroe…

Your images give a face to the heroes of 9/11. These are lifesized pieces of time. Making those people immortal, giving a personal memorial to all those heroes of 9/11.

When, in some years to come, all that is happening right know becomes history, and it becomes clear how these events changed the way we live, your images will stand as iconographic pieces of art from that time.

They maybe don’t pay your bills right know, but keep good care of them, because maybe these images will make people in the future remember your name. That’s the bill an artist has to pay :-)

Mark Feliciano says:

on July 8, 2008 at 1:33 pm

Joe, Thanks so much for sharing your heart. Sometimes we just get on with our lives and it’s so easy to act like it never happened. Please, never let us forget.

I was going to order a D300 from Am**** this week, but Adorama is getting my business now!

Mark Leach says:

on July 8, 2008 at 1:34 pm


That is an amazing blog post, the hairs on the back of my neck are quite literally standing on end. It is a perfect example of how photography goes beyond the literal image and captures so much more. I remember watching the TV images coming from New York to the UK that day and having trouble comprehending destruction on that magnitude.

The people photographed are true heroes and your work in capturing them brings that through. The shots deserve to be looked after as a document of their achievements. Full marks to yourself for carrying the financial burden of doing so and also to Adorama for stepping in to assist.

Richard Cave says:

on July 8, 2008 at 1:43 pm

Cracking post,

my world fell apart on that date and the subsequent events after lead me to becoming a pro photographer. I shoot the after effects of that day and many of colleagues put there lives on the line to cover stories resulting from the actions of these monsters.

It took me a long time to get over what happened that day and I was in the UK at the time. I cannot look at the faces of ground zero all the way through.

As a soldier I was on a course with several members of the FBI whom were visiting the UK as part of a exchange programme. All there bleepers went off, they disappeared we found a TV set in the classroom and watched. Some of them mentioned peoples names who would have been there. Helpless and in a foreign country they watched. They tried calling home but the lines were jammed.

The echo from that day was fast arriving and I spent the next three months preparing for war. Subsequent events followed. I had my camera on me and recorded what I could. Slowly I found my way into becoming a pro photographer. I am now ready and willing to go into action not with bullets and bombs but with a camera.

I wish so much to help out with supporting these iconic portraits, but I dont know how. Prehaps when they finally finish what they are doing at the ground zero site they will use these images again.



Peter Adams says:

on July 8, 2008 at 1:43 pm

Joe, thanks for keeping the memories alive. Also, it’s nice to see long time camera houses like Adorama getting involved like this.

Jon T says:

on July 8, 2008 at 1:56 pm

Heaven knows I have read many, many blog postings. But this one is the most powerful I have ever read. Thank you Joe, and for me also, Adorama will get my future business too.

Great job.

Daniel Cormier says:

on July 8, 2008 at 1:57 pm

I’m with Terry on that one. Quite a story. They’ll definitely be getting more business from me.

Bob Montgomery says:

on July 8, 2008 at 1:58 pm


Thank you.

And thanks to Adorama for stepping up. I buy from normally, and this just further justifies why I do.

Mark K_NJ says:

on July 8, 2008 at 2:04 pm

Joe, if you stopped your blog writing career with this one, you’d be going out on top. Not only do you have a way with photos, but you have a way with words as well. This post not only gave me chills, like Rob, but choked me up a bit too. You’re right…that was a powerful time that people – especially those involved – will never forget. Personally, I’ll never forget your image of Mike Piazza – beautiful. I know this project had a nice run around the world but I hope if finds a great final home, one that reflects the passion and honor that the photographer (and his staff) who made these images had for the people in the photos.

Janine Smith says:

on July 8, 2008 at 2:05 pm

Joe, you (and Adorama) absolutely have to preserve and protect these images. If you can’t get big money from one source, consider those of us who love your work and could contribute a little money. Perhaps you could sell signed postcards of the images?

Please keep us posted on what’s happening with the collection.

Celso says:

on July 8, 2008 at 2:08 pm

Rob Vreeland took the words right out of my mouth… Let me just make a quick correction to your post.

You might not have a job, but you do something very important for free… You inspire people!

About the pictures I really hope that you find them a suitable “house” so I can go and see them when I visit New York… (This might take a couple of years)

mattw says:

on July 8, 2008 at 2:09 pm

This story really makes me want to read the non-published story you did in 2000 about the camera.

Soren Blaesbjerg says:

on July 8, 2008 at 2:12 pm

Great job Joe,

Very moving and important story, thanks for enlighting the community about this and credits to Adorama for their support. If the project decides to establish a faciity to support the project then my donation will be made (us small guy’s don’t forget).

Mike says:

on July 8, 2008 at 2:13 pm

What a great post. BTW, Joe, as a government-employed photographer, I’m here to tell you: you’re not alone. No one gives a shit about any of us.

Mike says:

on July 8, 2008 at 2:21 pm

Well done Adorama, well done Joe. The boys done good.

Terry Reinert says:

on July 8, 2008 at 2:24 pm

Yup, sounds like Adorama just got a whole lot more business from me. Thanks for the heads up and the story!

Scott Emmick says:

on July 8, 2008 at 2:31 pm

As I looked through some of these photos again today on the blog, my eyes started to tear up… again. A testimony to what’s been captured!

Chilling, heartwarming and inspiring all in one go. Thank you for this work!

kathyt says:

on July 8, 2008 at 2:32 pm

Thanks Joe, you are a cool kind of guy! Anne is a lucky girl (I am sure she knows that one) thanks for letting us share parts of your life. I just obtained a copy of the Faces of Ground Zero – great book. 9/11 will forever be on our hearts and minds. I will never forget that morning – waking up to Peter Jennings on my radio – of course we all know Peter Jennings was not normally on the radio. But I have a question – all of us out here could spare a some, a few $$ for storage etc. It is a huge project that you have shouldered (thank you) and thanks for Adorama for stepping up to the plate. Could we all (I hope there are other out there that feel the same as I do) send some $$ to you or an account that could maybe be set up for this kind of funding for storage etc. Some may only have a dollar or two that they could send but over the photography community it could add up. I know for one I would like to help. Please let me know where to send my contribution. Thanks kathyt

Paul Plummer says:

on July 8, 2008 at 2:36 pm

Thank you Joe and Adorama for your dedication to the American Spirit and honor you place so deservingly upon the true heroes of 9/11. As with our Vets and other community heroes, too often we find it easy to forget. Thanks again for your efforts.

Dave Hutchinson says:

on July 8, 2008 at 2:49 pm


This story is fascinating.and quite emotional. Thanks for sharing and, thanks to Adorama for supporting this incredible effort. God Bless America!

James Walker says:

on July 8, 2008 at 2:58 pm

Great to read that Joe. Those pictures will always be alive with memories of a brutal moment in our lives. It’s important they are well looked after. Thanks to yourself and those supporting you.

Quinton Fason says:

on July 8, 2008 at 2:58 pm

Wow, I had no Idea!

Matt Bowker says:

on July 8, 2008 at 3:06 pm

I’ve always been a fan of Adorama, now even more so. I vaguely remember hearing about this when it first happened, but I didn’t even think about the fact that it might be a burden to the owner afterwards. Your work is incredible, and without even seeing these pictures, I know that these belong in a 9/11 memorial museum. Hopefully some day soon they will find a proper home where everyone can come to see these pieces of history.

Pete Aston says:

on July 8, 2008 at 3:07 pm

Very powerful and moving read. Thank you Joe, and well done Adorama.

Delos says:

on July 8, 2008 at 3:09 pm

On 9/11 I was in the NW corner of Alabama turning off the defibrillator of a terminally ill patient. When my wife called and asked if I had the TV on in the patient’s hospital room. When I told her I did not, she said, “Somebody just flew an airplane into one of the World Trade Center buildings.” I asked if it was a small plane and she began to share the details that we are all too familiar with today. From Florence to Birmingham is about a 3 hour drive, on this day these were the longest three hours of my life. To me, now at age 60, this day and the days immediately following were some of the saddest of my life.

Your remembrance of the victims and the heroic feats of firemen, policemen and the public on that horrible day *is* chilling, and, now, almost seven years later still bring tears as I read your words and see your images. Thank you for sharing this, and special thanks to Adorama for their support.

Flemming Bo Jensen Photography says:

on July 8, 2008 at 3:21 pm

What a fantastic story and such a great project to honour the heroes. Truly enjoyed the photos and the story, thanks very much!

Jay says:

on July 8, 2008 at 3:55 pm

Wow Joe wow. Perhaps your most important work. Where can I donate? Won’t be much, but I am sure a lot of people like me would like to support the costs.

Nicole says:

on July 8, 2008 at 4:40 pm

I could read what you write all day long. I love the way you write and after reading your work I always feel so humbled and inspired. And the photos aren’t shabby wither ;) Thank you!

kathyt says:

on July 8, 2008 at 4:42 pm

Joe after reading your post for about the 5th time — I have one more comment — it is about your comment:

(Try anything once, right? Just have faith and remember the Lord looks after a fool.)

I believe it is the Lord looks after those with a right heart.
I believe your heart is in the right place.

thanks again! kathyt

Luke says:

on July 8, 2008 at 5:53 pm

Hey joe, you are truly an inspiration and a ‘ghost mentor’ in the terms of Galen Rowell. My 20th birtdday is coming up in August and it would be an honor for you to check out my blog, which I actually just did post about you and your influence on my work. luketownsendphoto.blogspot.com. Thanks for the book too. As a photographer for our local newspaper I always have it on hand. when Im in a crunch for creativity I pop it open and wait for inspiration to hit me. I can’t thank you enough for the knowledge you give to the photo world

Ron Mandsager says:

on July 8, 2008 at 6:05 pm

Powerful piece, Joe…

…and great work with that camera. Hope I can see those photos in real life one day…

…and I’ve got Adorama bookmarked on my browser now, too! :)

Sergei Rodionov says:

on July 8, 2008 at 6:11 pm

Good story (but then i am enjoying reading most of your stories, book or blog),

And it is nice to hear that Adorama chipping in on that kind of effort to keep memories alive.

Martin says:

on July 8, 2008 at 6:24 pm

Adorama customer for life now. I was already a Joe McNally fan for life.
Joe, where can we send a contribution?

Rick says:

on July 8, 2008 at 7:00 pm

Adorama you have another customer for ever. You have got to love a company who steps up and helps out with such an important project. If Adorama is will to do that, it’s the least I can do to give them my business.

Thanks for sharing Joe…

Jimmy Cheng says:

on July 8, 2008 at 7:17 pm

Thanks for the moving story. I enjoy reading your blog and I commend you for the great photos and for keeping the spirit alive.

Bob DeChiara says:

on July 8, 2008 at 7:34 pm

At a loss for words after reading this…Brad Moore do you realize how lucky you are? To work with such a photog, master, genious, inspirational person, you are truly blessed. And to the other McNally assistants as well. It must be fantastic to learn the art of photography on a daily basis from a such an icon as Joe McNally.

Joe your are certainly my inspiration. Keep doing whatcha doing! God Bless!
(city of champions)

JBelle says:

on July 8, 2008 at 7:42 pm

Brilliant. Absolutely brilliant. This is a story that needs to be told over and over.

Bill M says:

on July 8, 2008 at 8:25 pm

Wow. Simply wow.

Most of us shutterbugs out here dream of taking ONE picture that could change the world.

There are Guys With Cameras, there are Photographers, and then there are those that record history with a camera for my kids to see.

Although they don’t know you yet, Joe, I thank you for what you’ve done for them.

Adorama gets my business from now on, too.

AC Jetter says:

on July 8, 2008 at 8:31 pm

Awesome stuff, Joe. Absolutely awesome. Hats off to you and Adorama for everything you’re doing!

Mike T says:

on July 8, 2008 at 9:19 pm

Joe, thanks for sharing. I have the book and it’s really neat hearing about how it came about. Adorama, thanks for getting involved and making sure that these pieces of history find a safe and permanent home.

Lewis Woodyard says:

on July 8, 2008 at 10:02 pm

Seneca once wrote… “Man does not care how nobly he lives, only how long he lives,
Although, it is within all man’s reach to live nobly, it is within no man’s power to live long.”
Thank you, Joe McNally! You are an inspiration to us all. And, thanks to the good folks at Adorama.

Sterling Zumbrunn says:

on July 8, 2008 at 10:32 pm

Thank you for the inspirational post – this blog is the gift that keeps on giving. This is an amazing story. Congratulations on this important work, and for keeping it alive for future viewers, difficult as it has been. It will be so critical for the next generation to see as these terrible events become more distant.

Jeff Lynch says:

on July 8, 2008 at 11:06 pm

Joe, you’re a stand up guy and a great Irishman! Just remember what the nun’s taught us. We’re supposed to die broke and happy!

Well done!

Zeke says:

on July 8, 2008 at 11:13 pm

The window washer story made me cry again. I guess we’re never going to be totally recovered from this whole thing.

Thanks for the “long” post. I would have read every word if it was 10 times as long.

cheryls says:

on July 8, 2008 at 11:48 pm

I agree with kathyt – set up a foundation or something and let us help you. It’s great that Adorama has come on board (I’m a loyal customer), but we can help too and be a part of something important. It’s totally amazing that you’ve shouldered this alone for so long. Let us help.

Alton Marsh says:

on July 8, 2008 at 11:50 pm

I had a feeling that Adorama is more invested than most in the spirit of the photography community. Now I know it.

Ewen (Aussie in NZ) says:

on July 8, 2008 at 11:59 pm

Joe, what a brilliant and inspiring project to be involved in and, thanks to a new secured future, the work may very well live forever. While we down-under were spared from the horror of the 9/11 events, we certainly shared the sorrow of that day, particularly after the Bali bombings. Thank you for sharing your heart.

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